So, with the cutting off of the excess sleeve from Chemise #1, I couldn't bear to let that ruffled edge be tossed. So I resolved to re-utilize them, and the thing that came to mind was to embroider on the odd, angle-y piece and make it look like an intentional insert.I think this will be super cute for the Shepherdess outfit, so I'll have to do some pondering there. The 18th c. was renowned for having very wide, exposing necklines... which I'm not interested in doing, so what to use instead, which will look "correct" with the rest of the outfit is a question.
I cut a body somewhat similar to the original Chemise #1, but with a bit more roominess. Then I will attach the sleeves once I am certain their embroidery is done, and afterward I'll figure out what to do with the neck-line/collar area.
If I end up with any sort of collar, etc, I may do some embroidery on that as well... but it's not decided yet.
I like the look of Elizabethan era "black work", or sometimes when done in red it's called "red work". But I don't like black or red all that well, so I resolved to make some "blue work". ;-) I drafted up the pattern by stages, applying the steps one at a time as I decided on them.
Of the two general styles of black-work, most is rather 'cross-hatch-y' and geometric, but there are examples that are more "scroll work-ish". I like that better, so went with that for my main pattern.
Then I drew up the bees on honeycomb, the Belgian Tervuren heads, and the dancing kid goats, and put them in as I finished with their concepts.
I plopped the horse in the middle at the end, but now I'm reconsidering. Does it make the look "too busy"? I don't like how the horse turned out, and would be okay with tearing it back out if that was the best decision.
On the one hand it would save having to make a matching one for the other sleeve, and slot that time toward something else!
Vote now! Which do you think?Left... or Right is better?
I need to poll the audience!!!